A composition
in a electromechanical Planetarium
a electroacoustic musician
a sound artist
a film maker
an architect
and an artist.
A cloud of sound
In a copper dome
zeiss zkp2
an electromagnetic receiver
a tectonic sensor
a computational processor
a laser transmitter
E.V.A
and three Carbon Atmospheres
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Both exogenous and endogenous, the stones yield an exceptional relationship with their hosts. They become endolitos, elements from the outside, transformed into part of the inside, mineral bodies living inside the flesh of an organism that by producing them also appropriates the mineral world surrounding it.
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Through the process of exploring these grains we become archaeological readers of a profane digestion. It is difficult to separate what is stone and what is body.
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«La costumbre de “comer búcaro”, “comer barro” o «comer yeso» debía de estar lo suficientemente arraigada en la sociedad española como para que en forma descriptiva o de chanza pasara a los diccionarios, a la literatura del Siglo de Oro.
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We remember the mouth as a site of nurture, breath, aggression, appetite, language and even Knowledge: Through our mouths we originally come to know the world and differentiate ourselves from it.
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[…] The folks started arriving who knows out of curiosity or to witness the miracle. This morsel gleaming to become food. Mouths that were dyed with light while they smiled, bodies which paint their skin to dance to the sounds of music as if it were the last “Holy” offered up to those present. […]
The Fosfofagias are situations where light ingestion is performed. The spectator ingest the work becoming his body the medium where the image is registered.
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Black Ceramics are pinhole cameras made with clay taken from a river they have photographed. Inside, each contains a picture of the flowing water. In order to discover this image the object has to be broken. The image recorded inside is as ephemeral as water and will disappear after a few hours.
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